Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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geoorg engelhard schroder
Athena och Pegasus

ID: 84893

geoorg engelhard schroder Athena och Pegasus
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geoorg engelhard schroder Athena och Pegasus


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geoorg engelhard schroder

1684+1750 study of a hand . nationalmuseum  Related Paintings of geoorg engelhard schroder :. | El toc doracio | Children in the Garden | Clipper Ship Southern Cross Leaving Boston Harbor | The Feast of Herod Salome's Dance | Landscape |
Related Artists:
RILEY, John
English Baroque Era Painter, 1646-1691 English painter. He was the son of John Riley of St Botolphs, Bishopsgate, and a pupil of Isaac Fuller and Gerard Soest. He is said to have worked independently for some years, but he made no impact before Lely's death in 1680. Riley maintained a prolific and successful practice as a portrait painter over the next decade against keen foreign competition.
Maliavin, Philip
Russian Painter, 1869-1940
Jacob Huysmans
1633-1696 Flemish Jacob Huysmans Gallery Jacob Huysmans (c.1633?C1696), was a Flemish portrait painter. He moved to England during the reign of Charles II where he became one of the fashionable painters of the court. His chief portraits are those of Izaak Walton and Catherine of Braganza, Charles II's wife (both displayed on the National Gallery, London). He was a pupil of Gilles Backereel and Frans Wouters and came over to England from - presumably - Antwerp. His first works were pastiches of work from Anthony van Dyck. As a Roman Catholic he was favoured by Catharine of Braganza. When Samuel Pepys visited his workshop in Westminster on 26 August 1664, he described him as a 'picture-drawer ... which is said to exceed Lilly (Lely). Huysmans's most important portrait of Catharine of Braganza, Queen Catharine as a Shepherdess (c. 1664; Brit. Royal Col.), was one of the pictures Pepys saw on that occasion. Painting his subjects as sheperdesses with clothing embellished with embroidery and jewellery were typical of his style.






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